|
ID |
Image |
Painting(From A to Z) |
Details |
|
93167 |
|
Study for the picture Formal Session of the State Council. |
Oil on canvas. 58 X 42 cm.1903
cjr |
|
57144 |
|
Tai Yi Wanlei and his son Ivan |
mk253 canvas 199 x 254 cm in 1881-1885 Moscow, the State Tretyakov Gallery collection |
|
93169 |
|
The Stone Guest. Don Juan and Dona Ana. |
Oil on canvas. 202 X 124 cm. 1885
cjr |
|
92902 |
|
The Surgeon Evgueni Vasilievich Pavlov in the Operating Theater |
Oil on canvas. 27,8 X 40,3 cm.1888
cjr |
|
49117 |
|
The Zaporozhyz Cossachs Writting a Letter to the Turkish Sultan |
mk193
1880-1891
OIl on canvas
203x358cm
|
|
53150 |
|
They did Not Expect him |
mk96
160.5x167.5cm
|
|
53142 |
|
Tital of Peasant |
mk96
1876
|
|
53143 |
|
Tital of Peasant |
mk96
|
|
35097 |
|
Under Guard,Along the Muddy Road |
mk100
1876
Oil on canvas
26.5x53cm
Tretyakov Gallery
|
|
81501 |
|
Unexpected Visitors or Unexpected return |
Oil on canvas painting by Ilya Repin
Date 1884-1888
cyf |
|
49147 |
|
Vechornisty |
mk193
1881
Oil on canvas
116x186cm
|
|
60527 |
|
Vladimir Stasov |
Vladimir Stasov
|
|
60510 |
|
Wedding of Nicholas II and Alexandra Fyodorovna, |
Wedding of Nicholas II and Alexandra Fyodorovna, 1894
|
|
|
Ilya Repin
Ukrainian-born Russian Realist Painter, 1844-1930
was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.
|
